The Age of Insects follows the metamorphosis of a young delinquent forced by his parents to undergo dubious "orthopodization" treatments from an insect-obsessed doctor.

Set during the Japanese occupation of Shanghai in 1941, the drama follows Chen Shan who was forced to be a Japanese spy to save his younger sister who was held in captive; and his journey to become a patriotic fighter.

In the absence of their parents, Johnny and Jennifer are being brought up by their sister Tanya, an overdressed transvestite. Both kids mess up their pursuit of romance, and both look for ways to break away from the family home and become independent.

Dr. Magdalena "Maggie" L'Amour is a Love Bug and highly sought-after "sex therapist" who navigates her love life through a society driven by sex, which is rife with wicked rituals, disturbing behaviors, and carelessness. But in the midst of it all, Maggie manages to find humor in the absurdity of her surroundings. Along with her tight-knit group of friends, she works to navigate the complexities of love and life in this hilarious and sex-filled world.

Clocking in at roughly four minutes, the short teases the story's most baseline elements: giant bugs trying to eat people who tend to lose their clothes.

A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life.

Both a journalist and a documentary filmmaker chase the story of a murder and its prime suspect.

Yong-min was a playboy who was loved by every woman. He had a woman named Tae-yeon whom he loved. However she breaks up with him due to his playboy habits and there is a rough quarrel in the process which leaves Yong-min blind. He meets and marries a woman named Soo-ae but he's lost all sexual desires along with his sight so it's hard to maintain a good marriage with her. Then one day Ho-yeong and Soo-jeong move in next to them and Soo-ae feels a kind of adoration for Ho-yeong...

A forgotten artist's work is rediscovered, raising questions: does the work of self creation end when we do, or does that little universe of self somehow continue to expand through the consequences that we leave behind?

Tadashi Imai 1946 movie